Updates from February, 2009

  • Steadicam demonstrations at the Broadcast Show in Earl's Court

    Ed Moore 5:23 pm on February 12, 2009 | 0 Permalink | Reply

    I’ll be spending a fair bit of time next week helping out at the Tiffen stand at the Broadcast Show in Earl’s Court, London.¬† I’ll be demonstrating a range of Steadicam rigs as well as answering any questions people might have.¬† I got my first ever “go” on a proper Steadicam at one of these events waaay back in distant memory, so I can easily be persuaded to let others do the same!

    Although theoretically you need a ticket to get into the event, in reality you can totally just turn up and they’ll print you one out there and then for free.¬† See here for directions.

    Hopefully see you there!

     
  • A weekend of pre-production, RED, and crowded tubes...

    Ed Moore 12:36 am on December 8, 2008 | 0 Permalink | Reply
    Tags: , , landrover, perriersbounty, , xdcamhd

    What a pleasant weekend!

    We wrapped the Armoured Land Rover shoot late on Thursday evening (pictures and video to come, they’re editing frantically as we speak to get it all done before the Christmas break) and producer Rachel and I hightailed it back up to the Midlands, arriving at 3am, so we could sleep in our respective own beds before pitching a concept to Somerfield the next morning in Bristol at 11.30am. Ouch. Having returned from Bristol the rest of the day was spent de-packing the equipment van from the shoot and returning the excellent PDW-700 XDCAM HD camera kindly loaned to us for the shoot by Creative Video (more on that in a later post).

    Mrs Ed and I headed to her folks in Luton Friday evening which was to be our base of operations for a weekend of London-based fun.

    For me, Saturday brought two pre-production meetings for a couple of shorts I’m DPing early next year: Share photos on twitter with TwitpicJane Doe (D: Myles Robey, P: Robin Davies), in which a terrible accident has severe psychological consequences for the responsible party, and The Ash Can (D: Jamie Hewitt, P:Sabrina Dridje), a horror (or is it?) piece set on a WWII era marooned submarine. We’re planning to shoot both on RED, and I spent the day meeting with both production teams to plan our next steps. Myles, Robin and Sabrina are all involved in one way or another in Perrier’s Bounty, currently shooting in London, so I dropped by the set for lunch and to hang around and see the RED being used on a ¬£5 million feature. Nice to see that all the ‘oh my god it’s unreliable and unprofessional’ malarkey has died off now – other than the camera having a different logo on the side, and the complete lack of film stock and processing costs from the budget, I could have been on the set any 35mm mid-budget picture in the world.

    Saturday night was a party with a load of Mrs Ed and I’s friends from university, and Sunday inevitably involved a lengthy recovery process involving a lie-in, lunch with Mrs Ed’s family and some extra napping beyond that…

    The Tube was insane around London the whole weekend, probably due to the cold. However, it was nothing compared to Japan. I think they made need to acknowledge the place is officially overcrowded…

     
  • Lunch with Garrett Brown

    Ed Moore 9:44 pm on November 22, 2008 | 1 Permalink | Reply
    Tags: garrettbrown,

    Thank you very much to the Don of UK Steadicam, Robin Thwaites of Tiffen Europe, for inviting me along to a lunch with some Steadicam celebrities today.¬† Present aside from Robin, Terry and James from Tiffen were Peter Robertson (operator of such masterful work as Atonement, Hot Fuzz and many, many more), Roger Tooley (Elizabeth: The Golden Age, Match Point, Shaun of the Dead and many many more), Paul Edwards (Harry Potter, Sunshine, Love Actually and many many more), Imran Naqvi (Jack Says, No Smoking Please, Are You Ready for Love)… and of course we shouldn’t leave out Garrett Brown (inventor of the Steadicam as well as a insanely long raft of other extraordinary film and video devices).

    The film industry is bloody hard work, and you could be forgiven for getting the impression talking to film crews on and off sets that we can be a miserable, chip-on-the-shoulder lot.¬† So it was absolutely great to be in the presence of a group of true professionals who couldn’t have been more genial and interested in each other’s work.¬† Particularly telling was the fact that Peter Robertson in particular operated two of the ‘big’ shots I’ve seen in the UK recently, the 5 1/2 minute shot from Atonement, and the Stanley Kubrick Film 4 promo, and we had to drag the stories out of him!

    In an industry where it’s all too easy to find the ‘louder’ types regaling you endlessly about their remote involvement with some second rate movie, it’s extremely refreshing and inspiring when the guys really doing the top work are very modest about it, and immediately point to the work of the whole team that was involved.

    I’ve been operating Steadicam for a couple of years now, which makes me a relative newbie to the whole thing.¬† As well as being honoured simply to have been invited, listening to Garrett talk about how proud he was to have been responsible for a worldwide network of people to have made a living (as Roger put it, “you’ve paid my mortgage!”) doing something that requires a extremely high level of skill and vision, was very inspiring.¬† Few people can say they’ve had that degree of impact upon so many.

     
  • Projects Ahoy!

    Ed Moore 10:38 pm on March 13, 2008 | 0 Permalink | Reply

    Some interesting projects coming up that I’ll be blogging more about as they (hopefully) progress further. ¬†There’s ‘Shutter’ set entirely on a submarine (location already booked, apparently), and whilst it features no dialogue it will look divine on either super 16 or 35mm.And erstwhile colleagues and friends Myles and Robin are pulling out all the stops to get a fantastic, gritty horror movie on the cards to shoot for a couple of weeks early next year… and that’ll be my first feature on 35mm: hurrah!Off tomorrow to visit the set of Harry Potter XVI (or whatever they’re up to now) to see what Myles has been up to and hopefully to say hi to the camera crew. ¬†It’s a night shoot, and I’m told to expect explosions… :)

     
  • Black Velvet

    Ed Moore 11:04 pm on February 4, 2008 | 0 Permalink | Reply
    Tags: dublin, guinness, holiday

    Delighted to announce that I’m off to Dublin with Miss C for a few days much-needed recuperation.

    See you anon.

     
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