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	<title>Comments on: The crucial roles low budget filmmakers never think of filling</title>
	<atom:link href="http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/</link>
	<description>Cinematographer Ed Moore blogs about life in the film industry</description>
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		<title>By: mens jewelry</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-300</link>
		<dc:creator>mens jewelry</dc:creator>
		<pubDate>Sat, 29 Oct 2011 11:19:47 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-300</guid>
		<description>It is a rich content topic.</description>
		<content:encoded><![CDATA[<p>It is a rich content topic.</p>
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		<title>By: Simon Wyndham</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-197</link>
		<dc:creator>Simon Wyndham</dc:creator>
		<pubDate>Thu, 11 Mar 2010 17:29:09 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-197</guid>
		<description>All so true. The first time I worked with a real Gaffer, it was like I&#039;d been shooting projects in a straight jacket until that point, and now I was free!

The trouble is that on smaller projects even just hiring in a basic lighting cameraman is often rewarded with the sound of air being sucked through teeth! I really think that things are going to become far more polarised with an increasing gap opening between people/producers who will settle for any old low budget rubbish, and those with the money for a real crew.</description>
		<content:encoded><![CDATA[<p>All so true. The first time I worked with a real Gaffer, it was like I&#8217;d been shooting projects in a straight jacket until that point, and now I was free!</p>
<p>The trouble is that on smaller projects even just hiring in a basic lighting cameraman is often rewarded with the sound of air being sucked through teeth! I really think that things are going to become far more polarised with an increasing gap opening between people/producers who will settle for any old low budget rubbish, and those with the money for a real crew.</p>
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		<title>By: Ed Moore</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-45</link>
		<dc:creator>Ed Moore</dc:creator>
		<pubDate>Sun, 31 May 2009 10:26:54 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-45</guid>
		<description>You&#039;re excused on account of being lovely :)</description>
		<content:encoded><![CDATA[<p>You&#8217;re excused on account of being lovely <img src='http://www.edmooredop.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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		<title>By: Nick</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-44</link>
		<dc:creator>Nick</dc:creator>
		<pubDate>Sun, 31 May 2009 10:17:54 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-44</guid>
		<description>Videojournalist?  They can do it all so much more quickly.  Although most vj&#039;s would need a focus puller. 

(Sorry Ed, couldn&#039;t resist)</description>
		<content:encoded><![CDATA[<p>Videojournalist?  They can do it all so much more quickly.  Although most vj&#8217;s would need a focus puller. </p>
<p>(Sorry Ed, couldn&#8217;t resist)</p>
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		<title>By: Ed Moore</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-37</link>
		<dc:creator>Ed Moore</dc:creator>
		<pubDate>Fri, 29 May 2009 15:58:54 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-37</guid>
		<description>Good point Stephen, I should have added location manager to the list.  They can make all the difference to it feeling like a &#039;film set&#039; rather than a bunch of people turning up with a camera and some actors.  They always seem to have their own radios, location signs, huge coffee urns and portable tables as well.</description>
		<content:encoded><![CDATA[<p>Good point Stephen, I should have added location manager to the list.  They can make all the difference to it feeling like a &#8216;film set&#8217; rather than a bunch of people turning up with a camera and some actors.  They always seem to have their own radios, location signs, huge coffee urns and portable tables as well.</p>
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		<title>By: Stephen Murphy</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-36</link>
		<dc:creator>Stephen Murphy</dc:creator>
		<pubDate>Fri, 29 May 2009 15:17:31 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-36</guid>
		<description>Location Manager: A good location manager is worth their weight in gold and can save a production time and money, and make my life easier:-) Low budget filmmakers always seem to over look them or uderestimate their importance.</description>
		<content:encoded><![CDATA[<p>Location Manager: A good location manager is worth their weight in gold and can save a production time and money, and make my life easier:-) Low budget filmmakers always seem to over look them or uderestimate their importance.</p>
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		<title>By: Ed Moore</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-26</link>
		<dc:creator>Ed Moore</dc:creator>
		<pubDate>Thu, 28 May 2009 13:32:35 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-26</guid>
		<description>I do love Primer.  And whilst for any other film with that budget I would call them just plain stupid for wanting to shoot on film, in their case the need to only do a couple of takes for every shot because that&#039;s literally all they could afford seems to have led to an incredibly rewarding amount of preparation.

Having said that, it&#039;s not a film that looks particularly visually striking - it&#039;s more about the plot - so right away the production designer role is downplayed - they probably used almost entirely natural light - there goes the gaffer - and whilst the plot is a strong contender for an &quot;oh my god I sure hope the script supervisor understands which version of character X we&#039;re shooting in this&quot; award, maybe it was just so complicated that only that one guy who wrote, directed and performed in it was ever going to understand it!</description>
		<content:encoded><![CDATA[<p>I do love Primer.  And whilst for any other film with that budget I would call them just plain stupid for wanting to shoot on film, in their case the need to only do a couple of takes for every shot because that&#8217;s literally all they could afford seems to have led to an incredibly rewarding amount of preparation.</p>
<p>Having said that, it&#8217;s not a film that looks particularly visually striking &#8211; it&#8217;s more about the plot &#8211; so right away the production designer role is downplayed &#8211; they probably used almost entirely natural light &#8211; there goes the gaffer &#8211; and whilst the plot is a strong contender for an &#8220;oh my god I sure hope the script supervisor understands which version of character X we&#8217;re shooting in this&#8221; award, maybe it was just so complicated that only that one guy who wrote, directed and performed in it was ever going to understand it!</p>
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		<title>By: Jonathan Sharpe</title>
		<link>http://www.edmooredop.com/blog/low-budget-filmmaking/the-crucial-roles-low-budget-filmmakers-never-think-of-filling/comment-page-1/#comment-25</link>
		<dc:creator>Jonathan Sharpe</dc:creator>
		<pubDate>Thu, 28 May 2009 13:20:12 +0000</pubDate>
		<guid isPermaLink="false">http://emoore.co.uk/blog/?p=452#comment-25</guid>
		<description>The exception that proves the rule: Primer (2005). They had 5 members of crew, most of whom were also in the cast, and it&#039;s brilliant. Shot on Super16 at a ratio of 2:1 for about $7k. Mind you, they storyboarded the hell out of it and rehearsed it like a play!</description>
		<content:encoded><![CDATA[<p>The exception that proves the rule: Primer (2005). They had 5 members of crew, most of whom were also in the cast, and it&#8217;s brilliant. Shot on Super16 at a ratio of 2:1 for about $7k. Mind you, they storyboarded the hell out of it and rehearsed it like a play!</p>
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