The final day of Jane Doe.¬† During pre production producer Rob Davies was very patient with my increasingly tedious series of “oh, you know what else I need” requests and managed to magically procure *everything* I asked for, which to be frank was something of a shock.
Especially when Phil and I had to load the whole load into a 3.5 ton van, nearly filling it to the brim.
My only promise was that at some point, I’d use everything, and day four of the shoot was the perfect opportunity, with a lengthy dialogue scene in a single location being the vast majority of the day’s schedule.¬† It was clearly time to adopt a typical DoP strategy: ‘get away with the wide, then make it look even prettier for the coverage’.